public engagement
‘My Body is a Sundial’ by Bryony Ella, Photo: Ewelina Ruminska, Orleans House Gallery 2025
Our Public Engagement programme imagines a future in which radical systemic and structural change improves the lived experience of our cities at a time of unprecedented climate change, informed by both a heightened valuing of and empathy for diverse sensory experiences of urban heat islands, and embodied understandings of how the melting metropolis has arisen from value-systems and behaviour patterns that privileged the few.
What we are aiming to do:
Public engagement runs adjacent to academic research and community engagement, extending Melting Metropolis’ research findings beyond the hyper-local.
Led by Research Artist Bryony Ella, our programme seeks to inspire urbanites to consider diverse, multi-dimensional, lived experiences of heat in the city through a focus on embodied memory and sensory-led storytelling.
By situating past and present lived experiences of communities most impacted by urban heat islands within wider, public-realm conversations, the public engagement programme aims to amplify voices typically marginalised in regional, national, and global discourse about topics such as climate justice and urban development.
L: Drawing Heat sketch, anonymous, 2024, R: Drawing Heat walk, photographer Martina Colova,
Artist Research:
Alongside community and academic research, Bryony Ella is conducting her own creative research in relation to the academic research themes:
the convergences and contrasts between the cities,
the historical relationship between heat, health and climate justice,
how historians, geographers, artists and communities equitably work together to develop new understandings of urban heat.
Her studio practice specifically asks:
how has our treatment, relationship and perception of the sun changed on either side of the Atlantic over centuries of human development?
What are the power dynamics between natural climate patterns and human behaviour patterns that impact upon human health?
What shape does embodied ecology as a creative methodology take when it intersects historical research and is grounded in the lived experience of urban environments?
Image credit: Bryony Ella in the studio, Photographer: Ewelina Ruminska, 2025

projects
Created by:
Antoine Marc - Choreographer
Bryony Ella - Director
Bumi Thomas - Composer
Joanna Penso - Producer
Rachel Sampley - Lighting Designer
Joined by a brilliant cast of musicians, dancers and creative technicians.
21 june 2025
As the Sun begins to set on summer solstice night, we invite you for a free evening performance where environmental history meets the wonder of celestial interconnectedness.
Integrating choreography inspired by Western and Caribbean flow with harmonic invocations inspired by nature, Stand of the Sun offers a new ritual amid climate chaos.
This will be the first live performance of creative responses to Melting Metropolis’ research in London, New York and Port of Spain, Trinidad. Directed by our Research Artist Bryony Ella, Stand of the Sun invites us to observe our cities through the solar gaze, exploring the deeply uncanny and uncertain nature of our celestial relationship today. It imagines what our closest star would say to humanity if only we could listen. How does the Sun experience our over-heating world? What does it feel like to move through our too-hot cities and heat-stroked bodies? Can we empathise with an entity so utterly different to us, yet intertwined with our fate?
Travelling from outer space into the melting metropolis, stories from the hot heart of our solar system will guide us through the evening.
The performance is in conversation with Ella's sculpture My Body is a Sundial (more below). It is part of Richmond Arts and Ideas Festival and the Cultural Reforesting programme at Orleans House Gallery. Cultural Reforesting is an artist-led research programme initiated by Richmond Arts Service, responding to the ecological crisis. The programme commissions artists to respond to the big question: How can we renew our relationship with nature?
Image: My Body is a Sundial by Bryony Ella at Orleans House Gallery, photo © Ewelina Ruminska, 2025
my body is a sundial
Building upon her own autoethnography and Drawing Heat research, Bryony Ella has built a sculptural installation that explores her own relationship to the sun through embodied drawing and painting. It considers the body as a record of solar intensity, engaging the sun in dialogue as it visits the project’s research cities (and Ella’s ancestral lands) of London, New York, and Port of Spain, Trinidad. My Body is a Sundial is currently on display in the Cultural Reforesting exhibition at Orleans House Gallery in London.
About the artwork:
My Body is a Sundial is a conversation between two bodies held too close. Human and celestial bodies, ricocheting, raging and merging between hot cities of glass, asphalt and steel. The sculpture invites visitors to step inside the organic, ancestral, sensorial container of the artist, suspended between the rejection and recovery of her relationship with our closest star.
Around the world, heat is fast becoming the leading cause of weather-related deaths; our bodies have not evolved to live in cities that are perfectly designed to entrap the sun, and the impacts of extreme temperatures are not felt equally. Inspired by the environmental history research project Melting Metropolis, the artwork is a search for embodied understandings and expressions of how the sun shapes us, and how we shape the sun in return.
“As the heart of our solar system moves through my mid-afternoon body, a body that dreams of dawn as dusk draws closer, the intense pressures of heat, clock-time, uncanny seasons and narrow sightlines of how to live well, here, now, surface. Yet, subtle movements and minute noticings stir here, too. Re-membering ancestral patterns. Rescuing childhood awe. Stirring empathy for a body that is also trapped in these cities, and also fuel for systems distorting evolutionary cycles.” - Bryony Ella
Image: My Body is a Sundial by Bryony Ella at Orleans House Gallery, photo © Ewelina Ruminska, 2025
My Body is a Sundial expresses the bodily-felt tension between yearning to live in a state of reverence and respect for sun, and the very real danger of living within cities that are perfectly designed to entrap its heat.
Memories and desires colour the present, articulating both the pleasures and pressures of living with the sun, while fleeting moments of clarity illuminate the bright intensity of solar time, wisdom and warning. We are holding the Sun too close, and yet we need the Sun, we evolved with the Sun, our bodies contain the Sun. Can we find new ways, or old ways, of being in relationship with our closest star?
'My Body is a Sundial' by Bryony Ella at Orleans House Gallery, 2025, Image © Anne Tetzlaff
'My Body is a Sundial' by Bryony Ella at Orleans House Gallery, 2025, Image © Anne Tetzlaff
Drawing Heat
Over two summers we delivered a series of public events in Queens, Brooklyn and Manhattan in collaboration with Queens Memory Project (2023 and 2024) and Asia Society (2024). These Drawing Heat ‘walk-shops’ brought art and history together to offer embodied practices to illuminate how, where and why the urban heat island has emerged and to encourage participants to consider different dimensions to our relationship to the sun.
Drawing exercises focused attention on how our bodies absorb the different qualities of the environment, while historical archives brought to life the people and the politics behind the shaping of our cities from 1945 to the present day.
Drawing Heat continues to be developed and shared as the research project grows.

Drawing Heat sketch, 2024, anonymous

Drawing Heat, Queens, 2024, Photographer: Martina Colova

Drawing Heat, Brooklyn, 2024, Photographer: Summer Walker

Drawing Heat sketch, 2024, anonymous

Drawing Heat, Queens, 2024, Photographer: Martina Colova

Drawing Heat, Queens, 2024, Photographer: Martina Colova

Drawing Heat sketch, 2024, anonymous

Drawing Heat, Queens, 2024, Photographer: Martina Colova

Drawing Heat sketch, 2024, anonymous

Drawing Heat, Queens, 2024, Photographer: Martina Colova

Drawing Heat sketch, 2024, anonymous

Drawing Heat, Queens, 2024, Photographer: Martina Colova

Drawing Heat sketch, 2024, anonymous

Drawing Heat, Manhattan, 2024, Photographer: Summer Walker

Drawing Heat, Manhattan, 2024, Photographer: Summer Walker

Drawing Heat, Manhattan, 2024, Photographer: Summer Walker

Drawing Heat, Manhattan, 2024, Photographer: Summer Walker

Drawing Heat sketch, 2024, anonymous

Drawing Heat, Manhattan, 2024, Photographer: Summer Walker

Drawing Heat, Manhattan, 2024, Photographer: Martina Colova

Drawing Heat, Manhattan, 2024, Photographer: Martina Colova

Drawing Heat sketch, 2024, anonymous

Drawing Heat, Manhattan, 2024, Photographer: Martina Colova

Drawing Heat, Manhattan, 2024, Photographer: Martina Colova

Drawing Heat, Manhattan, 2024, Photographer: Martina Colova

Drawing Heat, Manhattan, 2024, Photographer: Martina Colova

Drawing Heat, Manhattan, 2024, Photographer: Martina Colova

Drawing Heat, Manhattan, 2024, Photographer: Martina Colova

Drawing Heat, Manhattan, 2024, Photographer: Martina Colova

Drawing Heat, Queens, 2023, Photographer: Martina Colova

Drawing Heat, Queens, 2023, Photographer: Martina Colova

Drawing Heat, Manhattan, Street Lab, 2023

Drawing Heat, Queens, 2023, Photographer: Martina Colova

Drawing Heat, Queens, 2023, Photographer: Martina Colova

Drawing Heat, Queens, 2023, Photographer: Martina Colova

Drawing Heat, Queens, 2023, Photographer: Martina Colova

Drawing Heat, Queens, 2023, Photographer: Martina Colova

Drawing Heat, Queens, 2023, Photographer: Martina Colova

Drawing Heat, Queens, 2023, Photographer: Martina Colova

Drawing Heat, Queens, 2023, Photographer: Martina Colova

Drawing Heat, Queens, 2023, Photographer: Martina Colova

Drawing Heat, Queens, 2023, Photographer: Martina Colova